Poetry Gone Bad Essay Example For Students

Verse Gone Bad Essay The weapon I convey no utilization, no requirement for it by any stretch of the imagination, my grasp doesn't come up short. By what means can a removed sun appear to be so blistering. What am I doing here?. The warmth appears to blast through my body feeling so feeble, the yell goes out one shot I could take him out. Mouth so dry rankles structure inside. What am I doing here?. Am I here to be a legend?. No to unsafe need to remain alive. Am I here to convey my nations banner?. Is my nation better than yours?. I can't recall my nation its been quite a while its distant in my psyche. Who they battle us we are here to help. I feel that I have bombed my faithful comrades Just to question the purposes behind me been ere. My fallen siblings and sisters I salute you. I am sorry you are no more. My fall foes I am Just grieved. The individuals who realize me back home, soon I trust I will return. Be that as it may, be set up for I am a changed man. Tough situations See Some Light I know once in a while it might appear to be hard, never appear to play the correct cards, consistently FL spot to cover up never wish to see one more day, yet trust me I am revealing to you the attempt no compelling reason to take off . You can locate a more splendid day Once Look at you once so glad currently creeping along the ground. Once so huge you stood so tall to me, however now you have fallen. Here and there I see you from a separation. I conceal my face taking a gander at your huge disrespect. The medications dont work take a gander at you now a fallen unpleasant sow Crying on the floor do you know who you are what your identity was or where you have tumble from. Be that as it may, no you don't have a clue and continue fallen destined to be overlooked. Frantic Mad, distraught as hellfire can you not tell. For what reason is all that I do so off-base however in the event that you do it to me well Just portable luggage. Simply remove the pips from me go on I can take it. In spite of the fact that my heart you Just break it. Now and again we do things we don't care for. Now and again we run from our life. Here and there we Just stand and battle and some of the time life can be a dread. Now and again we mean what we state at that point wish we had not said what we implied that day. Here and there we fall. In some cases you can stand tall yet for the most part we fall. Here and there life Just gets you down all look on with a glare. Now and then we discover love and once in a while we lose it. Now and again we cry now and again your eyes never appear to be dry. Recall this however as you live on its all Just some of the time Look at me here I am Can you see for what reason are you looking directly through me. Take a gander at me here I am Holding out a wanton hand. See me blurring ceaselessly I won't return any day Will Nobody revealed to me Just how hard it would be the point at which you set me free. I felt low when I coked at you, through you once enormous mask. From the beginning you lied. Possibly time will transform me yet I leave. Time they state recuperates the agony however I miss all of you the equivalent. So what am I, how would I feel. For what reason is life so genuine. So what am I what direction do I turn What is left for me to figure out How would I feel off-base, right, prepared to begin another battle. All difficulty and hardship my stirred up life. Everything I could ever want Just appear to fall. All the decisions that I made an adoration in rot as everything I could ever want Just blur. Would i be able to search for another game to play. In any case, I am Just a desolate heart featuring at the downpour, a heart that advises me to feel this torment, UT how. I don't feel genuine, I attempt to breath gradually and quiet to show I am solid, for what reason did you treat me terribly. I appear to float through life in moderate movement leaving a lost boat adrift with no spot to be. Like nightmarish beasts all that you state harms my psyche through each entryway torment I find. Each face your mirror taking a gander at me for what reason did you set me free. I no longer feel some other agony. I assume all the accuse its my flaw the entirety of this however I realize I am not, filled by disgrace. Yet, I despite everything feel the equivalent, broken brimming with torment. In any case, I Just leave till the sun sets on this horrid day. Perhaps one day I will see trust a distant objective with this tormented psyche of a basic lost soul.. 4 Bad days are here once more. I thought my reality had changed however everything appears the equivalent. I had settled down to another let during the time the letter came. It was from you about you and never referenced my name. Trying to say hi once. Expectation you are well at that point revealing to me things you didn't have to tell. I am so cheerful you are moving on you stirred up bovine. So upbeat things turned out to be so well. So I compose back and tell how great I feel through tear ridden eyes. How upbeat I am where it counts inside. Better believe it think about what I Just lied At the point when an Angels tears go to rain you feel the dread you see the torment. At the point when you cry I will hold on with my shoulder that you can attempt. In spite of the fact that each dusty tempest may come my heart will consistently be. Since we are what is implied you see. Hold me would you be able to accept, I will be there Just call me. I will get you when you fall. Despised. Hit to the ground punch by punch pound for pound. I attempt my best yet no one sees it. No more the glad one standing tall, Just in the ring prepared for the fall. senseless man you are to old you have all around missed the objective. I attempt to stand my knees feel frail my temper has blurred I feel disheartening. Only one more go another smack another messed up nose. Eyes all hazy where has he gone swinging those punches feeling the displeasure COME ON!. The ringer it rings I take on water should I continue do you figure I should. I am told gone ahead Just one progressively round. I can scarcely here a sound. I am pushed up made to stand for what reason was I put on this land. Please legs please hands hit something. I see this huge man steaming toward me no place I can run, no place I can cover up. Need to stand tall discover my pride one right swing and you could win. Please kid you can do it. I feel it going along another inclination something solid. Verse investigation on How Do I Love Thee and Work XVIII EssayNothing ever appeared to issue with us. Be that as it may, I see us changing into something I don't comprehend. I feel you slipping a long way from my hand. You continue moving far away, to you it doesn't appear to make a difference. Our entire world going to break, nothing appears to trouble you by any means. 12 The Political Man pummels down his hands. I was not off-base to go to send this nation to war. At that point those hands hold his head, always remembered those lost or dead. The Political Man never been to war never battled. His solitary Enemy the individuals before him as he picked up his capacity. The political Man will he will remain to tell his side of the story. From his mouth a voice so stale. The Political Man, the Man you can't stand individuals slaughtered by his hand. Siblings, sisters, moms and fathers. The children, little girls and spouses husbands and darlings. Mr. Political man help me comprehend. Would you be able to put your hand on your heart and let me know, why it was your war to begin?. Mr. Political man in the event that you needed to go to the line, in your voice, you would not settle on that decision?. Kith nor Kin Mr. Political man, would you send in. I can't let out the slightest peep, unfit to speak I would prefer not to express expressions of disdain Not single word can leave my mouth. In the event that I consider such things, in your eyes is viewed as a wrongdoing. I am nevertheless a basic man, a voice of knowledge that I am not permitted to share. If I somehow managed to express such things our universes would impact and your wrath would end me. So I stay here quiet. In any case, I do have a psyche and I can think, and what I would state to you in the event that I could. You would be informed that you are incorrect that your God and my God are the equivalent. It is our religion and to it you bring unadulterated disgrace. A God would not create a universe of scorn the disdain is simply in your heart. The man that investigates the expressions of God and will change the importance to his own closures. He considers you a warrior and soon you will climb. Would a God need you a destroyer of what he has made. Tomorrow you travel with your weapon within reach. It will annihilate you and your humankind. A lady a kid any individual who is around you. Furthermore, when you do this you will likewise be gone. Presently do you think its you the doors will open upon. Also, the disgrace that I feel while you do this, however my heart it truly sinks further than you could ever think. At the point when we were youthful you somewhat more seasoned. I recall the occasions I cried upon your shoulder. The occasions we snickered till our sides were sore, the flying of kites outside. I reflect by and by farewell my sibling, my closest companion. The Delights off Quilt Laying in bed exhausted with a lethargic head. Thunder lightning crash outside as it appears to be two universes impact. Downpour tapping hard on my window, yet I don't lift this head from my pad. Here I am protected warm and coos and perhaps somewhat languid. I lie here as nature follows all the way through still quiet and cheerful inside, appreciative I am not in that climate outside. My eyes will consider such to be wonder as I float into this all around earned sleep. Knowing the past If I let this go it will hurt me. In the event that I persevere and yell out of frustration we as a whole get injured. On the off chance that my brain is offered time to cool, at that point we won't blur through this. Give personal time and darling we could work this. If it's not too much trouble Just give personal chance to fix this psyche. Try not to remain here and yell misuse, I realize it is your tendency. Try not to remain here seething the fire in me. Do as I do remove a stage give an answer an idea. Hold your hand quiet you soul. An actual existence loaded up with outrage is a bad situation for us, things are said wrongly and deplorably. So consistent your psyche quiet and cool is the request. MY City It has all changed, from when I was a chap. I returned for one final remain on its lavish gardens. Yet, look it has all changed. I guess thing never continue as before. That is the issue with the structure game. The old places and shops have gone, the future moved them all on. Lodging has moved to the edges of town, its enough to make this man scowl. I recall every last bit of it when it was Just unadulterated green land, presently its loaded up with concrete and sand. The honestly soon we will all pass, the age that recollects all the green grass. No one remaining to reveal to you how it was, so you will Just aside from it Just in light of the fact that. What to do now, Just what should I do. Should I take this tablet and search out life that is new. What should I do, should I take it or not, in the event that I do it might give me gut decay. Be that as it may, they disclose to me it might improve me, however on the other hand it may not. This treatment is new, it might fix what you got, am I your Guiana Pig is this

Mattel Responds to Ethical Challenges Essay Example for Free

Mattel Responds to Ethical Challenges Essay Mattel, Inc. is a worldwide innovator in planning and assembling toys and family items. Notable for brands, for example, Barbie, Fisher-Price, Disney, Hot Wheels, Matchbox, Tyco, Cabbage Patch Kids, and tabletop games, the organization brags about $5.9 billion in yearly income. Headquartered in El Segundo, California, with workplaces over the world, Mattel markets its items in more than 150 countries. Everything began in a California carport workshop when Ruth and Elliot Handler and Matt Matson established Mattel in 1945. The organization began making picture outlines, however the authors before long perceived the gainfulness of the toy business and changed their accentuation to toys. Mattel turned into a freely claimed organization in 1960, with deals surpassing $100 million by 1965. Throughout the following forty years, Mattel proceeded to turn into the world’s biggest toy organization as far as income. Regardless of its general achievement, Mattel has had a lot of misfortunes over its history. During the mid to late 1990s, Mattel lost millions to declining deals and awful business acquisitions. In January 1997, Jill Barad took over as Mattel’s CEO. Barad’s the board style was described as exacting and her residency in charge demonstrated trying for some representatives. While Barad had been effective in building the Barbie brand to $2 billion before the finish of the twentieth century, development eased back in the mid 21st. Declining deals at outlets, for example, Toys ‘R’ Us denoted the beginning of certain troubles for the retailer, obligations regarding which Barad acknowledged and surrendered in 2000. Robert Eckert supplanted Barad as CEO. Expecting to make something happen, Eckert sold unrewarding units and cut many positions. In 2000, under Eckert, Mattel was allowed the exceptionally looked for subsequent to permitting understanding for items identified with the Harry Potter arrangement of books and motion pictures. The organization kept on prospering and assemble its notoriety, in any event, gaining the Corporate Responsibility Award from UNICEF in 2003. Mattel discharged its first Annual Corporate Responsibility Report the next year. In 2011 Mattel was perceived as one of Fortune magazine’s 100 Best Companies to Work for the fourth continuous year. MATTEL’S CORE PRODUCTS BARBIE AND AMERICAN GIRL Among its numerous lines of mainstream toy items, Mattel is well known for possessing top girls’ brands. In 1959, Mattel presented an item that would change its future everlastingly: the Barbie doll. One of the organizers, Ruth Handler, had seen how her little girl adored playing with paper pattern dolls. She chose to make a doll dependent on a grown-up as opposed to on a child. Barbie took off to get one of Mattel’s basic product offerings and the main girls’ brand on the planet. Since her presentation, Mattel has sold more than 1 billion Barbie dolls in more than 150 nations. The Barbie line today This material was created by Debbie Thorne, John Fraedrich, O.C. Ferrell, and Jennifer Jackson, with the article help of Jennifer Sawayda under the heading of O.C. Ferrell and Linda Ferrell. It is accommodated the Daniels Fund Ethics Initiative at the University of New Mexico and is proposed for homeroom conversation instead of to show compelling or ineffectual treatment of authoritative, moral, or legitimate choices by the board. Clients of this material are disallowed from guaranteeing this material as their own, messaging it to other people, or setting it on the Internet. If it's not too much trouble call O.C. Ferrell at 505-277-3468 for more data. (2011) Includes dolls, embellishments, Barbie programming, and an expansive variety of authorized items, for example, books, clothing, food, home goods, home gadgets, and films. To enhance the Barbie line, in 1998 Mattel procured a famous more youthful kind of doll. Mattel reported it would pay $700 million to Pleasant Co. for its very good quality American Girl assortment. American Girl dolls are sold with books about their lives, which happen during significant times of US history. The American Girls brand incorporates a few book arrangement, frill, apparel for dolls and young ladies, and a magazine that positions in the main ten American children’s magazines. HOT WHEELS Hot Wheels thundered into the toy world in 1968. Over thirty years after the fact, the brand is more blazing than at any other time and incorporates very good quality collectibles, NASCAR (National Association for Stock Car Auto Racing) and Formula One displays for grown-ups, elite vehicles, track sets, and play sets for offspring everything being equal. The brand is associated with hustling circuits around the world. In excess of 15 million young men matured five to 15 are ardent authorities, each claiming forty-one vehicles all things considered. Two Hot Wheels vehicles are sold each second of consistently. The brand started with vehicles intended to run on a track and has developed into a â€Å"lifestyle† brand with authorized Hot Wheels shirts, tops, lunch boxes, rucksacks, and that's only the tip of the iceberg. Together, Hot Wheels and Barbie produce 45 percent of Mattel’s income and 65 percent of its benefits. CABBAGE PATCH KIDS Since the presentation of mass-delivered Cabbage Patch Kids in 1982, in excess of 90 million dolls have been sold around the world. In 1994, Mattel took over selling these cherished dolls in the wake of buying creation rights from Hasbro. In 1996, Mattel made another line of Cabbage Patch doll, called Snacktime Kids, which was relied upon to meet with enormous achievement. The Snacktime Kids had moving mouths that empowered kids to â€Å"feed† them plastic bites. Notwithstanding, the item reverse discharges. The toy had no on/off switch and reports of childrenâ getting their fingers or hair trapped in the dolls’ mouths surfaced during the 1996 Christmas season. Mattel willfully pulled the dolls from store retires by January 1997, and offered buyers a money discount of $40 on brought dolls back. The U.S. Purchaser Product Safety Commission cheered Mattel’s treatment of the Snacktime Kids circumstance. Mattel adequately dealt with a circumstance that could without much of a stretch have made terrible exposure or an emergency circumstance. Mattel quit delivering Cabbage Patch Kids in 2000. MATTEL’S COMMITMENT TO ETHICS AND SOCIAL RESPONSIBILITY Mattel’s center items and business condition make numerous moral issues. Since the company’s items are planned principally for youngsters, it must be delicate to social worries about children’s rights. It should likewise know that the global condition regularly muddles business exchanges. Distinctive lawful frameworks and social assumptions regarding business can make moral clashes. At long last, the utilization of innovation may introduce moral problems, particularly with respect to customer security. Mattel has perceived these potential issues and found a way to fortify its responsibility to business morals. The organization additionally indicates to stand firm on social obligation, empowering its representatives and customers to do likewise. Protection AND MARKETING TECHNOLOGY One issue Mattel has attempted to address more than once is that of protection and online innovation. Advances in innovation have made uncommon advertising issues for Mattel. The organization perceives that, since it markets to kids, it must speak with guardians in regards to its corporate promoting procedure. Mattel has found a way to illuminate the two youngsters and grown-ups about its way of thinking with respect to Internet-based promoting instruments, for example, the Hot Wheels site. This site contains a protracted online security arrangement, some portion of which is excerpted beneath: Mattel, Inc. what's more, its group of organizations (â€Å"Mattel†) are submitted toâ protecting your online security when visiting a site worked by us. We don't gather and keep any close to home data online from you except if you volunteer it and you are 13 or more seasoned. We additionally don't gather and keep individual data online from youngsters younger than 13 without assent of a parent or legitimate gatekeeper, aside from in restricted conditions approved by law and depicted in this strategy. By guaranteeing guardians that their children’s protection will be regarded, Mattel shows that it assumes its liability of advertising to kids genuinely. Desires For MATTEL’S BUSINESS PARTNERS Mattel, Inc. is likewise making a genuine pledge to business morals in its dealings with different enterprises. In late 1997, the organization finished its first full morals review of every one of its assembling locales just as the offices of its essential contractual workers. The review uncovered that the organization was not utilizing any youngster work or constrained work, an issue tormenting different abroad producers. In any case, a few temporary workers were seen as disregarding Mattel’s wellbeing and human rights guidelines and were approached to change their activities or hazard losing Mattel’s business. The organization currently directs an autonomous checking board review in assembling offices like clockwork. With an end goal to proceed with its solid record on human rights and related moral measures, Mattel established a set of principles entitled Global Manufacturing Principles in 1997. One of these standards requires all Mattel-claimed and contracted assembling offices to support colleagues focused on moral measures tantamount with those of Mattel. Different standards identify with wellbeing, wages, and adherence to nearby laws. Mattel’s reviews and ensuing set of accepted rules were structured as protection, not corrective measures. The organization is devoted to making and empowering mindful strategic approaches all through the world. 1 Mattel, Inc., Online Privacy Policy, http://www.hotwheels.com/protection approach (got to August 23, 2011). Mattel additionally claims to be focused on its workforce. As one organization expert noted, â€Å"Mattel is focused on improving the expertise level of laborers [so that they] will encounter expanded chances and productivity.† This announcement reflects Mattel’s worry for connections between and with em

Introduction To ROTC At MIT

Introduction To ROTC At MIT My name is Evan Karlik, and I graduated from both MIT and Navy ROTC this past spring. In response to a variety of inquiries regarding ROTC, its my pleasure to introduce a new guest-author blog that will help you to better understand the ROTC programs here at MIT.   ROTC is more than your average student activity. Its primary purpose is to prepare MIT undergraduates who are US citizens for success as officers in the United States military, but there are opportunities for international students to get involved as well. What makes military service attractive to us? Some reasons include access to advanced vehicles, systems, and technology, the chance to assume a challenging leadership role early on, and an opportunity to serve our country. A scholarship usually accompanies involvement in ROTC, though there is an application process whether you are in high school or have already started as a student here.   My classmates and I graduated from MIT on a Friday morning in June and received our commissions that evening, making us active duty officers in the US military. From there, well go on to diverse assignments, such as an RD job in an Air Force laboratory, infantry officer school followed by command of an Army or Marine Corps platoon, flight school for the Navy or Air Force, or the nuclear reactor training required before serving aboard fast-attack or ballistic missile submarines. In fact, the Institute has quite an established tradition of preparing students to serve as officers in the military; since its founding, more than 12,000 officers have been commissioned from MIT, of whom more than 150 have attained the rank of general or admiral.   Many ROTC students are also active in varsity sports, fraternities and sororities, academic clubs and honor societies, music groups, UROP (undergraduate research) one great advantage of the ROTC program is youll have a chance to live a balanced college lifestyle.   To provide you with a window into the everyday lives of our cadets and midshipmen, this blog will highlight six MIT students: two Air Force cadets, two Army cadets, and two Navy midshipmen. Theyll provide regular accounts of ROTC courses and events, in addition to information about their backgrounds, MIT classes, extracurriculars, and future plans. We hope you enjoy reading!   Ensign Evan Karlik, MIT 07 Post Tagged #ROTC

America, A Narrative History Essay - 1425 Words

Over the past few weeks of class, we have covered the first five chapters of our textbook, written by George Brown Tindell and David Emory Shi called, â€Å"America, A Narrative History.† Each chapter told the reader a narration of the history of America, as opposed to an expository version of America’s history. Each chapter had its own main idea over a portion of history, along with many details that cover the importance of the main idea. As a reader, one may obtain a deeper appreciation for the country s history, prior to entering the class on the first day. The most important aspect of history, besides the battles that are fought, is the different cultures that make up today’s modern America. The main ideas of chapter one was the conquest and exploration of the early America’s by the spaniards. Throughout the chapter, it explains the difficulties that the spanish explorers faced when attempting to conquer new lands. The primary problem the explorers fac ed was with the current inhabitants of the lands they wanted to conquer, especially with the cultural differences between populations. On article that exemplifies the cultural differences between the Native Americans and the Spanish Explorers is the third-person biographical narrative called â€Å"The Collision of Cultures.† The narrative gives the reader insight on what the indians and the explorers pre-judgement of one another, based off of what the parties believed with their religion and moral. This article’s reader would beShow MoreRelatedAmerica A Narrative History : Summary Statements1505 Words   |  7 PagesAmerica a Narrative History: Summary Statements Chapter 2: 1. By 1600, England’s feudal system was nearing extinction, as a new family (Tudor’s) came to power and wanted support from the middleclass and the establishment of new liberties for Englishman (i.e. trial by jury and no arrest without a warrant), which resulted in a large amount of local and self initiative to prosper in the community: yet many beggars now existed, culminating in an increased need for colonial expansion both for personalRead MoreA Study Of Latin American History1308 Words   |  6 PagesCaribbean Many often consider the study of Latin American history or subjects like race to show that Much of Latin American historical studies are comparative. Many of the Latin American countries have their own history but share similar cultural conductions concerning race. The history of race relations in Latin America has become a central theme in a fair amount of scholarly activities. This in turn has made the historiography of Latin America to become much more relevant when looking at race aroundRead MoreRace, By John Davidson892 Words   |  4 Pagesconstantly in many sources and evidence of the past. This has led many historians to merely regard race as another mode of explanation, which is the case for studying race in Latin America. One historian, John Davidson (like a few others) are somewhat doubtful about the concept of race. He like many others fears that it is way too clumsy to describe as well as too complex. Many historians do not like using concepts that are fabricated. As Davidson says â€Å"race exists as a socially constructed realityRead MoreSlave Narratives : A Darker Side Of American History900 Words   |  4 PagesSlave Narratives: A Darker Side of American History How would we be able to fully understand history only knowing one-side of the story? If this was the case, American History would be an amazing story of liberty, expansion, and the foundation of American democracy as the most fair and honest government created in the world today. However, this is not the case thankfully due to novels, interviews, and autobiographies written by Americans who’ve felt the painful sting of the other side of AmericanRead MoreCauses Of The American Revolution1418 Words   |  6 PagesDutch because they were going to do anything they could to keep business with America. They often smuggled with America to keep their business up and running, meaning they were going to defy the Navigation Act. â€Å"By 1700, the English had surpassed the Dutch as the world’s leading Maritime power, and most products sent to and from America via Europe and Africa were carried in English ships.† (America a Narrative History, page 121, Navigation Acts)  ¬Ã‚ ¬Ã‚ ¬Ã‚ ¬In 1660, it was said that tobacco was to only beRead MoreThe Narrative Of The Life Of Olandah Equiano1716 Words   |  7 PagesInteresting Narrative of the Life of Olandah Equiano provides a view of Africa and the rest of the world from the perspective of either an African taken into slavery early in his life or a slave of African descent born in the British colonies. Olandah Equiano’s narrative reveals more about the African Diaspora than it does African history itself, particularly with his birthplace called into question. If he was born in Africa as he claims, Equiano’s narrative provides a primary source for the history of theRead MoreSlavery Was A Part Of Many Societies And Nations Around The World1401 Words   |  6 Pages Slavery was a part of many societies and nations around the world in times past. There was slavery in North America before the United States was established. However, the United States continued the practice until the Civil War in the mid-1800s. Before the Civil War, slavery and descendants of slaves were much of the backbone and strength of the society and economy of the United States. Slavery really fully developed during the colonial times; boomed in the South during the antebellum times; andRead MoreTo Be Woman in Post-Revolution America1468 Words   |  6 PagesWhat did the Revolution mean for the women of America? Some scholars say the Revolution did little to change life for her at all, while others argue that the Revolution was the catalyst of change that paved the way for a more independent American woman. The argument of a woman’s property rights became a hot topic in the court systems of post-Revolution America. Women we key in raising productive members of society and the idea of Republican motherhood was born. In order to raise educated childrenRead MoreA Different Mirror By Takaki Essay1404 Words   |  6 Pagesbook, A Different Mirror, offers the multicultural history of the United States. This book provides the reader with the American experience of Native Americans, African Americans, Mexican Americans, Irish Americans, Chinese Americans, Japanese Americans, and Jewish Americans. During this time, America demonstrated manifest destiny and the Master Narrative. They were led by the belief of â€Å"white purity,† which these ethnic groups threatened. America exhibited supremacy over all of these ethnic groupsRead MoreThe Evolution Of Poverty During The Civil War1654 Words   |  7 Pages THE EVOLUTION OF POVERTY IN AMERICA Missy Worrells Modern History 1073 November 19, 2014 â€Æ' The Evolution of Poverty in America Poverty is a hardship that has existed in every milestone of American history. War impacted the economy of the country after the Civil War. The twentieth century would see wars, natural disasters, and economical depressions that contributed to the developing culture of poverty. Poverty in any time period is a shattering experience. While being poor

The Treatment of the Theme of Childhood in Great Expectations

The Treatment of the Theme of Childhood in Great Expectations In this novel Dickens shows the treatment of childhood in many ways and through many characters. In the opening few chapters of the novel Dickens shows his opinions of childhood through Philip Pirrip otherwise known as Pip. Pip is first seen in a graveyard on his own reading the tombstones of his other family members who he never knew. The fact that the coming to life of Pip is through death shows that Dickens believes that childhood is an awful time of your life. We are told that Pips first memories are of him on his own finding out that his family are all dead and buried in a church yard over run with nettles. This isnt a†¦show more content†¦Also two other characteristics that occur a lot in the novel shows Dickens views of childhood are naivety and innocence. The innocence in Pip is shown because he is always polite towards the convict even when hes hurting him goo-good-night, sir, This shows that children are brought up to be well mannered towards their elders and are too innocent to know that the man was a convict. Pip shows his naivety when he believes if he doesnt do as the convict says he will be attacked by another man, the young man, I was in mortal terror of the young man who wanted my heart and liver this shows how naive children are because Pip believed in a made up man and didnt think once about questioning the convict about this man. The final way Dickens shows the horror of childhood through Pip is by the way Pip acts. Pip is always trying to make any possible improvement to himself by advancement in education and social class. What a scholar you are. This is shown through the fact that Pip enjoys writing and school and wants to further his knowledge. Pips improvement of social class is shown through the fact that he wants to marry into a higher class. By attempting to improve himself DickensShow MoreRelatedCritical Analysis Of Great Expectations1449 Words   |  6 Pagesfrom a work of fiction is, however, dependant on who is reading it at the time. In the case of Great Expectations there are a number of themes running through the text including betterment through education, what it is to be a gentleman, respectability and crime, parental /family ties, and industry and idleness. Many of the original readers of the work were not concerned with analysing these various themes, and how Dickens put the work toget her. Rather, it was enjoyed as a populist piece of fictionRead MoreCharles Dickens Great Expectations1208 Words   |  5 Pagesink can clear the path to enlightenment, and this is increasingly evident in Charles Dickens’ Great Expectations. 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Conway’s autobiography is a personal reflection of her up brining in rural Australia, and howRead More Resurrection and Rebirth in A Tale of Two Cities Essay examples1392 Words   |  6 PagesA Tale of Two Cities By Charles Dickens The idea of resurrection and rebirth pervades in this novel. How does Dickens use this theme? Do these themes of resurrection and self sacrifice and the setting of the French Revolution have anything to do with one another? Why is this the time and place of the novel? Brief Historical Background The novel, A Tale of Two Cities, takes place during the onset of the French Revolution, which shook the Western world with its violence and new ideas on freedomRead MoreCompare And Contrast Ophelia And Hamlet943 Words   |  4 PagesHamlet does not react kindly to this, denying his love for her and making demeaning comments on her sexuality and gender. 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Bloodsucking Fiends A Love Story Chapter 30~31 Free Essays

Chapter 30 Cops and Corpses â€Å"This guy is pissing me off,† Cavuto said, expelling a blue cloud of cigar smoke against the file drawers of the dead. â€Å"I hate this fucking guy.† He was standing over the body of Gilbert Bendetti, who had a thermometer sticking out of the side of his abdomen. We will write a custom essay sample on Bloodsucking Fiends: A Love Story Chapter 30~31 or any similar topic only for you Order Now â€Å"Inspector, there’s no smoking allowed in here,† said a uniformed officer who had been called to the scene. Cavuto waved to the drawers. â€Å"Do you think they mind?† The officer shook his head. â€Å"No, sir.† Cavuto blew a stream of smoke at Gilbert. â€Å"And him, do you think he minds?† â€Å"No, sir.† â€Å"And you, Patrolman Jeeter, you don’t mind, do you?† Jeeter cleared his throat. â€Å"Uh†¦ no, sir.† â€Å"Well, good,† Cavuto said. â€Å"Look on the side of the car, Jeeter. It says ‘Protect and Serve, not ‘Piss and Moan.  » â€Å"Yes, sir.† Rivera came through the double doors, followed by a tall, sixtyish man in a lab coat and silver wire-frame glasses. Cavuto looked up. â€Å"Doc, this guy done, or what?† The doctor pulled a surgical mask over his face as he approached the body. He bent over Gilbert and checked the thermometer. â€Å"He’s been dead about four hours. I’d put the time of death between one and one-thirty. I won’t be able to tell for sure until I finish the postmortem, but offhand I’d say myocardial infarction.† â€Å"I hate this guy,† Cavuto repeated. He looked down at Jody’s toe tag, which was lying on the linoleum with a chalk circle drawn around it. â€Å"Any chance this guy misplaced the redhead?† The coroner looked up. â€Å"None at all. Someone removed the body.† Rivera had his notebook out and was scribbling as the doctor talked. â€Å"Any news on the one that just came in, the cowboy? Any blood loss?† â€Å"Again, I can’t say for sure, but it looks like a broken neck is the cause of death. There may have been some blood loss, but not as much as we’ve seen with the others. Since he was sitting up, it could just be settling.† â€Å"What about the wound on the throat?† Rivera asked. â€Å"What wound?† the coroner said. â€Å"There was no wound on the throat; I checked the body myself.† Rivera’s arms fell to his sides, his pen clattered on the linoleum. â€Å"Doctor, could you check again? Nick and I both saw distinct puncture wounds on the right side of the neck.† The doctor stood up and walked to the rack of drawers and pulled one out. â€Å"Check for yourself.† Cavuto and Rivera moved to either side of the drawer. Rivera turned Simon’s head to the side while inspecting his neck. He looked up at Cavuto, who shook his head and walked away. â€Å"Nick, you saw it, right?† Cavuto nodded. Rivera turned to the doctor. â€Å"I saw the wounds, Doc, I swear. I’ve been doing this too long to get something like that wrong.† The coroner shrugged. â€Å"When was the last time you two slept?† â€Å"Together, you mean?† said Cavuto. The coroner frowned. Rivera said, â€Å"Thanks, Doc, we’ve got some more work at the other crime scene. We’ll be back. Let’s go, Nick.† Cavuto was standing over Gilbert again. â€Å"I hate this guy, and I hate that cowboy in the drawer. Did I mention that?† Rivera tuned on his heel and started toward the doors, then stopped and looked down. There was a distinct footprint on the linoleum in brown gravy. Made by a small foot, a woman’s bare foot. Rivera turned to the coroner. â€Å"Doc, you got any women working here?† â€Å"Not down here. Only in the office.† â€Å"Fuck! Nick, come on, we need to talk.† Rivera stormed through the double doors, leaving them swinging. Cavuto ambled after him. He paused at the doors and turned back to the coroner. â€Å"He’s moody, Doc.† The coroner nodded. â€Å"Nothing to the press about the blood loss, if there was any. And nothing about the missing body.† â€Å"Of course not. I have no desire to advertise that my office is losing bodies,† the coroner said. Rivera was waiting in the hallway when Cavuto came through the doors. â€Å"We’ve got to cut the kid loose, you know that.† â€Å"We can hold him another twenty-four hours.† â€Å"He didn’t do it.† â€Å"Yeah, but he knows something.† â€Å"Maybe we should let him go and follow him.† â€Å"Give me one more shot at him. Alone.† â€Å"Whatever. We’ve got something else to consider too. You saw those puncture marks on the cowboy’s throat the same as I did, right?† Cavuto chewed his cigar and looked at the ceiling. â€Å"Well?† Cavuto nodded. â€Å"Then maybe the others had wounds too. Maybe they had wounds that went away. And did you see the footprint?† â€Å"I saw it.† â€Å"Nick, do you believe in vampires?† Cavuto turned and walked down the hall. â€Å"I need a stiff one.† â€Å"You mean a drink?† Cavuto glared over his shoulder and growled. Rivera grinned. â€Å"I owed you that one.† Tommy guessed the temperature in the cell to be about sixty-five, but even so, his cellmate, the six-foot-five, two-hundred-fifty-pound, unshaven, unbathed, one-eyed psychopath with the Disney-character tattoos, was dripping with sweat. Maybe, Tommy thought, as he cowered in the corner behind the toilet, it’s warmer up there on the bunk. Or maybe it’s hard work trying to stare at someone menacingly, without blinking, for six hours when you only have one eye. â€Å"I hate you,† said One-Eye. â€Å"Sorry,† said Tommy. One-Eye stood up and flexed his biceps; Micky and Goofy bulged angrily. â€Å"Are you making fun of me?† Tommy didn’t want to say anything, so he shook his head violently, trying to make sure that nothing remotely resembling a smile crossed his face. One-Eye sat down on the bunk and resumed menacing. â€Å"What are you in for?† â€Å"Nothing,† Tommy said. â€Å"I didn’t do anything.† â€Å"Don’t fuck with me, ass-wipe. What were you arrested for?† Tommy fidgeted, trying to work his way into the cinder-block wall. â€Å"Well, I put my girlfriend in the freezer, but I don’t think that’s a crime.† One-Eye, for the first time since he’d been put in the cell, smiled. â€Å"Me either. You didn’t use an assault weapon, did you?† â€Å"Nope, a Sears frost-free.† â€Å"Oh, good; they’re really tough on crimes with assault weapons.† â€Å"So,† Tommy said, venturing an inch out of the corner, â€Å"what are you in for?† Thinking baby-stomping, thinking cannibalism, thinking fast-food massacre. One-Eye hung his head. â€Å"Copyright infringement.† â€Å"You’re kidding?† One-Eye frowned. Tommy slid back into his corner, adding, â€Å"Really? That’s bad.† One-Eye pulled off his ratty T-shirt. The Seven Dwarfs danced across his massive chest between knife and bullet scars. On his stomach, Snow White and Cinderella were locked in a frothy embrace of mutual muffin munching. â€Å"Yeah, I made the mistake of walking around without a shirt. A Disney executive who was up here on vacation saw me down by the wharf. He called their legal pit bulls.† Tommy shook his head in sympathy. â€Å"I didn’t know they put you in jail for copyright infringement.† â€Å"Well, they don’t, really. It was when I ripped the guy’s shoulders out of their sockets that the police got involved.† â€Å"That’s not a crime either, is it?† One-Eye rubbed his temples as if it was excruciating to remember. â€Å"It was in front of his kids.† â€Å"Oh,† Tommy said. â€Å"Flood, on your feet,† a guard said from the cell door. Inspector Nick Cavuto stood behind him. â€Å"C’mon, cutie,† Cavuto said. â€Å"We’re going for a last walk.† The blood-high wasn’t racing through her with flush and fever as it always had before. No, it was more like the satisfying fullness of a lasagna dinner chased with double espressos. Still, the strength sang in her limbs; she ripped the loft-door dead bolts through the metal doorjamb as easily as she had torn the plastic crime-scene tape the police had put across the door. Strange, she thought, there is a difference in drinking from a living body. Her remorse over killing Simon had passed in seconds and the predator mind had taken over. A new aspect of the predator had reared up this time, not just the instinct to hide and hunt, but to protect. If Tommy was in jail for putting her in the freezer, it meant that the police had also found Peary, and they would try to connect Tommy to the other murders. But if they found another victim while Tommy was behind bars, they would have to set him free. And she needed him to be free, first so that she could find out why he had frozen her, but more important, because it was time to turn the tables on the other vampire, and the only safe way to hunt him was to do it during daylight. She had bit Simon’s neck and used the heel of her hand to pump his heart as she drank. There was no guilt or self-consciousness in the act; the predator mind had taken over. She found herself thinking about the burly fireman who had come to Transamerica to teach the employees earthquake preparedness, which had included a course in CPR. What would he think of one of his students’ using his technique to pump lifeblood from the murdered? â€Å"I’m sorry, Fireman Frank, I sucked like an Electrolux, but it just wasn’t enough. If it’s any consolation, I didn’t enjoy it.† What little strength she had gained from Simon’s blood seemed to evaporate as she walked into the loft. It was in worse shape than the day the Animals had come for breakfast. The futon was bundled against the wall; the books had been taken out of their shelves and spread out on the floor; the cabinets hung open, their contents tumbled across the counters; and a fine patina of fingerprint powder covered every surface. She wanted to cry. It reminded her of the time she had lived with a heavy-metal bass player for two months, who had torn their apartment apart looking for money for drugs. Money? She ran to the bedroom and to the dresser where she had stashed the remaining cash the old vampire had given her. It was gone. She threw open the drawer where she kept her lingerie. She’d kept a couple thousand rolled up in a bra, a holdover habit from the days of hiding cash from the bass player. It was there. She had enough for a month’s rent, but then what? It wouldn’t matter if Tommy didn’t stop the other vampire. He was going to kill them both, she was sure of it, and he was going to do it soon. As she weighed the rolls of bills in her hand, she heard someone open the stairwell door, then footfalls on the steps. She went to the kitchen and waited, crouched behind the counter. Someone was in the loft. A man. She could hear his heart – smell sweat and stale deodorant coming off him. Tommy’s deodorant. She stood up. â€Å"Hi,† Tommy said. â€Å"Boy, am I glad to see you.† Chapter 31 He Was an Ex-Con, She Was Defrosted†¦ She started to lean over the counter to give him a hug, then stopped herself. â€Å"You look awful,† she said. He was unshaven, his hair stuck out in greasy tufts, and his clothes looked as if he’d slept in them. He hadn’t. He hadn’t slept at all. â€Å"Thanks,† he said. â€Å"You look a little tattered yourself.† She raised her hand to her hair, felt a tangle, and let it drop. â€Å"And I thought my red hair went so well with freezer burn.† â€Å"I can explain that.† She came around the counter and stood before him, not knowing whether to hold him or hit him. â€Å"That’s a great dress. Is it new?† â€Å"It was a great dress before the gravy and cobbler melted all over it. What happened, Tommy? Why was I frozen?† He reached out to touch her face. â€Å"How are you? I mean, are you okay?† â€Å"Good time to ask.† She glared at him. He looked in her eyes, then away. â€Å"You’re very beautiful, you know that?† He crumpled to the floor and sat with his back against the counter. â€Å"I’m so sorry, Jody. I didn’t want to hurt you. I was just†¦ sort of lonely.† She felt tears welling in her eyes and wiped them away. He was genuinely sorry, she could tell. And she had always been a sucker for pathetic apologies, going back as far as the time the bass player she was seeing hocked her stereo. Or had that been the construction worker? â€Å"What happened?† she pressed. He stared at the floor and shook his head. â€Å"I don’t know. I wanted someone to talk about books with. Someone who thought I was special. I met a girl at work. I was just going to meet her for coffee, nothing else. But I didn’t think you’d understand. So I†¦ well, you know.† Jody sat down on the floor in front of him. â€Å"Tommy, you could have killed me.† â€Å"I’m sorry!† he screamed. â€Å"I’m afraid of you. You scare the hell out of me sometimes. I didn’t think it would hurt you or I wouldn’t have done it. I just wanted to feel special, but you’re the special one. I just wanted to talk to someone who sees things the way I do, who can understand how I feel about things. I want to take you out and show you off, even during the day. I’ve never really had a girlfriend before. I love you. I want to share things with you.† He looked down, would not meet her gaze. Jody took his hand and squeezed it. â€Å"I know how you feel. You don’t know how well I know. And I love you too.† Finally he looked at her, then pulled her into his arms. They held each other for a long time, rocking each other like crying children. A half hour passed, ticked off with tear-salty kisses, before she said, â€Å"Do you want to share a shower? I don’t want to let go of you, and it’ll be dawn soon.† Warmed and cleaned by the shower, they danced, still wet, though the dark bedroom, to fall together on the bare mattress. For Tommy, being with her, in her, was like coming to a place where he was safe and loved, and those dark and hostile things that walked the world outside were washed away in the smell of her damp hair, a soft kiss on the eyelid, and mingled whispers of love and reassurance. It had never been like this for Jody. It was escape from worry and suspicion and from the predator mind that had been rising for days like a shark to blood. There was no urge to feed, but a different hunger drove her to hold him deep and long and still, to envelop and keep him there forever. Her vampire senses rose to the touch of his hands, his mouth – as if finally her sense of touch had grown to feel life itself as pleasure. Love. When they finished she held his face against her breast and listened to his breathing becoming slow as he fell asleep. Tears crept from the corners of her eyes as dawn broke, releasing her from the night’s last thought: I’m loved at last, and I have to give it up. Tommy was still sleeping at sundown. She kissed him gently on the forehead, then nipped his ear to wake him. He opened his eyes and smiled. She could see it in the dark; it was a genuine smile. â€Å"Hey,† he said. She snuggled against him. â€Å"We’ve got to get up. There’s things to do.† â€Å"You’re cold. Are you cold?† â€Å"I’m never cold.† She rolled out of bed and went to the light switch. â€Å"Eyes,† she warned as she flipped on the light. Tommy shielded his eyes. â€Å"For the love of God, Montressor!† â€Å"Poe?† she said. â€Å"Right?† â€Å"Yep.† â€Å"See? I can talk books.† Tommy sat up. â€Å"I’m sorry. I didn’t give you a chance. I guess we were always talking about – about your condition.† She smiled and snatched a pair of jeans and a flannel shirt from the pile of clothes on the floor. â€Å"I talked to the other vampire the other night. That’s why I left the note.† Tommy was wide awake now. â€Å"You talked to him? Where?† â€Å"In a club. I was mad at you. I wanted to go out. Show off.† â€Å"What did he say?† â€Å"He said it’s almost over. Tommy, I think he’s going to try and kill you, maybe both of us.† â€Å"Well, that sucks.† â€Å"And you’ve got to stop him.† â€Å"Me? Why me? You’re the one with X-ray vision and stuff.† â€Å"He’s too strong. I get the feeling he’s really old. He’s clever. I think that the longer that you’re a vampire, the more you can do. I’m starting to feel†¦ well, sharper as time goes on.† â€Å"He’s too strong for you, but you want me stop him? How?† â€Å"You’ll have to get to him while he’s sleeping.† â€Å"Kill him? Just like that? Even if I could find him, how would I kill him? Nothing hurts you guys – unless you have some kryptonite.† â€Å"You could drag him into the sunlight. Or cut his head off – I’m sure that would do it. Or you could totally dismember him and scatter the pieces.† Jody had to look away from him when she said this. It was as if someone else was talking. â€Å"Right,† Tommy said, â€Å"just shovel him into a garbage bag and get on the forty-two bus. Leave a piece at every stop. Are you nuts? I can’t kill anyone, Jody. I’m not built that way.† â€Å"Well, I can’t do it.† â€Å"Why don’t we just go to Indiana? You’ll like it there. I can get a union job and make my mom happy. You can learn to bowl. It’ll be great – no dead guys in the freezer, no vampires†¦ â€Å"By the way, how’d you†¦ I mean, where did you thaw out?† â€Å"In the morgue. With a pervert all ready to live out his wet dreams on me.† â€Å"I’ll kill him!† â€Å"Not necessary.† â€Å"You killed him? Jody, you can’t keep – â€Å" â€Å"I didn’t kill him. He just sort of died. But there’s something else.† â€Å"I can’t wait.† â€Å"The vampire killed Simon.† Tommy was shaken. â€Å"How? Where?† â€Å"The same way as the others. That’s why the cops let you go.† Tommy took a minute to digest this, sat for a moment looking at his hands. He looked up and said, â€Å"How did you know I was in jail?† â€Å"You told me.† â€Å"I did?† â€Å"Of course. You were so tired last night. I’m not surprised you don’t remember.† She buttoned up the flannel shirt. â€Å"Tommy, you’ve got to find the vampire and kill him. I think Simon was his last warning before he takes us.† Tommy shook his head. â€Å"I can’t believe he got Simon. Why Simon?† â€Å"Because he was close to you. Come on, I’ll make you coffee.† She started into the kitchen and tripped over the brass turtle. â€Å"What’s this?† â€Å"Long story,† Tommy said. Jody looked around, listened for the sound of turtle claws. â€Å"Where’s Scott and Zelda?† â€Å"I set them free. Go make coffee.† Rivera and Cavuto sat in an unmarked cruiser in the alley across the street from the loft, taking turns dozing and watching. It was Rivera’s turn to watch while Cavuto snored in the driver’s seat. Rivera didn’t like the way things were going. Weird shit just seemed to follow him. His job was to find evidence and catch bad guys, but too often, especially in this case, the evidence pointed to a bad guy who wasn’t a guy at all: wasn’t human. He didn’t want to believe that there was a vampire loose in the City, but he did. And he knew he’d never convince Cavuto, or anybody, for that matter. Still, he’d dug out his mother’s silver crucifix before he left the house. It was in his jacket pocket next to his badge wallet. He had been tempted to take it out and say a rosary, but Cavuto, despite his growling snore, was a light sleeper, and Rivera didn’t want to endure the ridicule should the big cop wake up in the middle of a Hail Mary. Rivera was getting ready to wake Cavuto and catch a nap when the lights went on in the loft. â€Å"Nick,† he said. â€Å"Lights are on.† Cavuto woke, instantly alert. â€Å"What?† â€Å"Lights are on. The kid’s up.† Cavuto lit his cigar. â€Å"And?† â€Å"I just thought you’d want to know.† â€Å"Look, Rivera, the lights coming on is not something happening. I know that after ten or twelve hours it seems like something, but it’s not. You’re losing your edge. The kid leaving, the kid strangling someone, that’s something happening.† Rivera was insulted by the admonition. He’d been a cop as long as Cavuto and he didn’t have to take crap like that. â€Å"Eat shit, Nick. It’s my turn to sleep anyway.† Cavuto checked his watch. â€Å"Right.† They watched the windows for a while, saying nothing. Shadows moved inside the loft. Too many shadows. â€Å"There’s someone else up there,† Rivera said. Cavuto squinted at the shadows and grabbed a pair of binoculars from the seat. â€Å"Looks like a girl.† Someone passed by the window. â€Å"A redhead with a lot of hair.† Tommy took a sip of his coffee and sighed. â€Å"I don’t even know where to start. This is a big city and I don’t know my way around that well.† â€Å"Well, we could just wait here for him to come get us.† Jody looked at his cup, watched the heat waves coming off the coffee. â€Å"God, I miss coffee.† â€Å"Can’t you just wander around until you feel something? Lestat can†¦Ã¢â‚¬  â€Å"Don’t start with that!† â€Å"Sorry.† He took another sip. â€Å"The Animals might help. They’ll want revenge for Simon. Can I tell them?† â€Å"You might as well. Those guys do just enough drugs that they might believe you. Besides, I’m sure the story was in the paper this morning.† â€Å"Yeah, I’m sure it was.† He put his cup down and looked at her. â€Å"How did you know about Simon?† Jody looked away. â€Å"I was in the morgue when they brought him in.† â€Å"You saw him?† â€Å"I heard the cops talking. I slipped out during the excitement when they found the dead pervert.† â€Å"Oh,† Tommy said, not quite sure of himself. She reached out and took his hand. â€Å"You’d better go. I’ll call a cab.† â€Å"They took all the money,† Tommy said. â€Å"I have a little left.† She handed him two hundred-dollar bills. He raised his eyebrows. â€Å"A little?† Jody grinned. â€Å"Be careful. Stay around people until it gets light. Don’t get out of the cab unless there are a lot of people around. I’m sure he doesn’t want any witnesses.† â€Å"Okay.† â€Å"And call me if anything happens. Try to be back here by sundown tomorrow, but if you can’t, call and leave me a message where you are.† â€Å"So you can protect me?† â€Å"So I can try to protect you.† â€Å"Why don’t you come with me?† â€Å"Because there’s two cops in the alley across the street watching the loft. I saw them from the window. I don’t think we want them to see me.† â€Å"But it’s dark in the alley.† â€Å"Exactly.† Tommy took her in his arms. â€Å"That is so cool. When I get back, will you read to me naked, hanging from the ceiling beam in the dark?† â€Å"Sure.† â€Å"Dirty limericks?† â€Å"Anything.† â€Å"That’s so cool.† Five minutes later Tommy stood at the bottom of the stairs with the fire door cracked just enough to see when his cab arrived. When the blue-and-white DeSoto cab pulled up, he opened the fire door and a furry black-and-white comet shot past him. â€Å"Bummer! Stop!† the Emperor shouted. The little dog skipped up the steps with a yap and a rattle every step of the way; his pie-pan helmet was hanging upside down by the chin strap, hitting the edge of each step. He stopped at the top of the stairs and commenced a leaping, barking, scratching attack on the door. Tommy leaned against the wall holding his chest. He thought, Good, a heart attack will sure mess up the vampire’s murder plans. â€Å"Forgive him,† the Emperor said. â€Å"He always seems to do this when we pass your domicile.† Then, to Lazarus, â€Å"Would you be so kind as to retrieve our comrade-in-arms?† The golden retriever bounded up the stairs and snatched Bummer out of the air in mid-leap, then carried him down by the scruff of the neck as the rat dog struggled and snarled. The Emperor relieved Lazarus of his squirming charge and shoved the smaller soldier into the oversized pocket of his coat. He buttoned the flap and smiled at Tommy. â€Å"Dogged enthusiasm in a handy reclosable package.† Tommy laughed, more nervous than amused. â€Å"Your Highness, what are you doing here?† â€Å"Why, I am looking for you, my son. The authorities have been asking after you in regard to the monster. The time to act is at hand.† The Emperor waved his sword wildly as he spoke. Tommy stepped back. â€Å"You’re going to put someone’s eye out with that thing.† The Emperor held his sword at port arms. â€Å"Oh, quite right. Safety first.† Tommy signaled to the cabdriver over the Emperor’s shoulder. â€Å"Your Highness, I agree, it’s time to do something. I’m on my way to get some help.† â€Å"Recruits!† the Emperor exclaimed. â€Å"Shall we join forces against evil? Call the City to arms? Drive evil back to the dark crevice from whence it came? Can the men and I share your cab?† He patted his still squirming pocket. Tommy eyed the cabdriver. â€Å"Well, I don’t know.† He pulled open the rear door and leaned in. â€Å"Dogs and royalty okay?† he asked the cabbie. The driver said something in Farsi that Tommy took for a yes. â€Å"Let’s go.† Tommy stepped back and motioned for the Emperor to get in. Lazarus jumped into the back seat with a rattle of armor, followed by the Emperor and Tommy. As soon as the cab had gone a block, Bummer settled down and the Emperor let him out of his pocket. â€Å"Something about your building vexes him. I don’t understand it.† Tommy shrugged, thinking about how he was going to tell the Animals about Simon’s death. The Emperor rolled down the window and he and his men rode through the City with their heads out the window, squinting into the wind like mobile gargoyles. Cavuto slapped Rivera on the shoulder, startling him out of sleep. â€Å"Wake up. Something’s going down. A cab just pulled up and that old wacko just came around the corner with his dogs.† Rivera wiped his eyes and sat up. â€Å"What’s the Emperor doing here?† â€Å"There’s the kid. How in the hell did he get hold of the old wacko?† They watched as Tommy and the Emperor talked, Tommy glancing from time to time at the cabdriver. A few minutes passed and they loaded into the cab. â€Å"Here we go,† Cavuto said as he started the car. â€Å"Wait, let me out.† â€Å"What?† â€Å"I want to see where the girl goes. Who she is.† â€Å"Just go ask her.† â€Å"I’m out of here.† Rivera picked up the portable radio from the seat. â€Å"Stay in touch. I’ll send for another car.† Cavuto was rocking in the driver’s seat, waiting to go. â€Å"Call me on the cell phone if you see the girl. Keep it off the radio.† Rivera stopped halfway out of the car. â€Å"You think it’s the girl from the morgue, don’t you?† â€Å"Get out,† Cavuto said. â€Å"He’s leaving.† The cab pulled away. Cavuto let them get a block away, then pulled out after them, leaving Rivera standing in the dark alley fingering the crucifix in his pocket. Four stories above him, on the roof of a light industrial building, Elijah Ben Sapir, the vampire, looked down on Rivera, noting how much heat the policeman was losing though the thinning spot in his hair. â€Å"Jump or dive?† he said to himself. How to cite Bloodsucking Fiends: A Love Story Chapter 30~31, Essay examples

Translation Strategies

Abstract Considering translation has a strong effect on various audiences, several researchers have come out to explore the appropriate manner of translating audio-visual contents into subtitles.Advertising We will write a custom dissertation sample on Translation Strategies specifically for you for only $16.05 $11/page Learn More This study sums up the findings of such researchers, through a keen focus on the movie Bad boys two and comprehensively, it articulates that, for producers to write the best subtitles, they ought to ensure that the translation made has the same effect in the target culture as it does in the original source culture. The best translators factor cultural variations when translating audio contents of a movie into another language. The study further establishes that, the best translators are those who can easily expose the relevance of the initial message (through a second language) without creating any sort of misunderstanding. The concept of domestication therefore easily surfaces in this context because it is the best way translators can portray the same audio content into a second language without stirring any controversy. However, to successfully translate given audio pieces, it is important for translators to remain as natural as possible. This fact therefore means that there is a small line between what is right and appropriate. Introduction Subtitles are normally used to make television audiences who have a language comprehension or hearing problem to understand what is being said on televisions. Normally, a target audience in this context is children, adults, deaf people or people who cannot understand the language being spoken (Nida, 1982). With the upsurge of DVD productions, the use of subtitles in televisions programming and movies have significantly increased (Venuti, 1995). However, the development of subtitles for any movie or television series serves the purpose of a given cultural, religious or educational context and it may therefore be tricky for most television producers to serve the needs of these target audiences, considering the dynamism of such groups (in terms of religious and cultural identification) (Nida and De Waard, 1986).Advertising Looking for dissertation on languages? Let's see if we can help you! Get your first paper with 15% OFF Learn More For instance, the translation of offensive language remains a tricky issue for most television producers because such language is sometimes considered profanity or inappropriate for certain cultures. Normally, such (offensive) language is used to express specific human emotions such as anger, amusement, surprise (and the likes) but its appropriateness relies on the culture of the target audience. Diaz-Cintas Remael (2007) reiterate that â€Å"taboo words are tied in with local traditions which are used differently by different linguistic communities, depending on the religious background of those com munities† (p. 196). To a great extent, swear words are unique to the cultural context of a given community because these words have various meanings when analyzed in various cultural contexts (Baker, 1998). Interestingly, such words can even sound more offensive for certain cultural groups than it was initially meant to be. The confusion in language translation can be explained from the translation of the English words â€Å"Fuck you† because if it is translated to Arabic, it would mean â€Å"Damn you† (Venuti, 1995). Normally, this is observed in most Arabic translations that include sexual terms because Islam greatly prohibits the use of sexual terms (Brockopp, 2003, p. 69). Regardless of the dynamics of translation, observers note that, the use of translation in movies play a crucial role in the understanding of such works because of concerns regarding the quality of audio-visual contents of some movie productions (De and Kay, 1999). Swear words also have a si gnificant impact on the character that uses it and in the same manner; characters also have a significant impact on the message of the film. This relationship shows that, the accuracy of translation to subtitles cannot be overemphasized (Fang, 2010, p. 35). It is therefore essential to use swear words for character representation. Due to this fact, some translators normally decide to render the swear words, but knowingly or unknowingly to them, rendering swear words may consequently distort the message of the film (Gambier, 1998). However, translators normally experience a challenge rendering spoken words into subtitles because it is almost impossible to render everything that is said into the subtitles (Dà ­az-Cintas and Remael, 2009).Advertising We will write a custom dissertation sample on Translation Strategies specifically for you for only $16.05 $11/page Learn More These facts abound, this study seeks to analyze how the subtitles to the movie Bad boys two can be translated into Arabic. Comprehensively, this study seeks to establish the translation style used to translate the subtitles of the movies to Arabic and the possible challenges that maybe experienced from the process. Methodology The research methodology will be focused on gathering relevant data from the Bad Boys two script, to gain a thorough understanding of the difficulties experienced when translating English swear words into Arabic. In this context, this study aims at shedding some light regarding if the foreignization or domestication strategy is used to translate English curse words to Arabic. In ascertaining this fact, questions such as, what impact would the foreignzation strategy have on an Arabic audience? And what impact would the domestication strategy have on Arabic audience? will be answered. The data chosen for this analytical piece is the script for an American popular drama film, Bad Boys two, released in 2003. The script will be comprehensively u sed to evaluate how it could be translated into Arabic so that appropriate translation strategies can be established. The complexities in the translation of the swear words will therefore be easily established through a thorough analysis of the script. In this manner, swear words used in the script will be used to portray the difficulty or complexity of translating the words into Arabic. However, only the first part of the script will be of use. The analysis will be done in qualitative and quantitative means so that the challenges experienced when translating English swear words into Arabic can be exposed. To gain a comprehensive picture of the translation process, a thorough discussion will be done to establish alternative ways of translating the English swear words into Arabic. Discussion Translating swear words can be a very difficult task. More so, the challenge is normally experienced when one is to translate words which do not exist in the context of another culture. For examp le, in the second page of the Bad Boys two script, the word â€Å"motherfuckers† is used to refer to a group of people.Advertising Looking for dissertation on languages? Let's see if we can help you! Get your first paper with 15% OFF Learn More In the context of the Arabic culture, such a word does not exist. In the same page, one of the characters uses the word â€Å"fuck† to refer to a poor status of radio transmission. Such a word does not also exist in the Arabic context. In fact, it can be very challenging to translate English words into Arabic, using appropriate reference materials such as dictionaries (because they only include words which are well established in the Arabic dialect) (Omar, 2009). Often, translating words into Arabic is more challenging than translating the same words into other languages, say, Spanish. This fact is true because the Arabic culture has a strong Islamic influence which prohibits the use of offensive language (Auroux, 2000, p. 333). In other words, Islam greatly limits the dynamism of Arabic culture because it does not include words and language dialects which are against its teachings. Interestingly, swear words fall into the category of highly inhibited words and therefore tran slators may find themselves in difficult situations where they have to translate specific cultural words which do not exist in the Arabic dialect in the first place. Sometimes, when such challenges are experienced, it is important for the translators to maintain the meaning of the English words and provides an alternative meaning behind it. This strategy is especially recommended when certain English words do not have their Arabic equivalent (Omar, 2009). For example in the second page of the Bad Boys two script, one character asks â€Å"The fuck I want to do that for?† Providing a meaning for this sentence in the Arabic context is difficult and therefore, a translator may be forced to find an alternative way to express it. In the same page, a character says â€Å"stop all the goddamned movement†. It would also be very difficult to translate the same statement in the Arabic context and therefore it is important to find an alternative meaning. The difficulty in translat ing swears words into Arabic are especially noted when focusing on the context of translation. In other words, it can be easy to translate the swear words into Arabic but doing so requires a keen focus on the context used to translate the words. For example in the second page of the bad boy’s two script, one character says â€Å"but this shit will get worked out in court†. In the following page, the same character says â€Å"He goes to bed early for this shit†. In the same page, another character says â€Å"I did not do shit!† In the three examples, the context in which the word â€Å"shit† is used changes to refer to an object and event and therefore translating the same curse word in different sentences to give different meanings may prove difficult. In the first page of the Bad Boys two script, the word â€Å"Fucking bitches† is used to represent a non-derogative context but the word â€Å"fucking bitch† would often be used to refe r to a sexual context. The same is not the case when analyzed in the context it was used in the first segment of the study. For instance, the word was used in an apologetic context because it was preceded by â€Å"sorry Johnny† in reference to the shooting of a gun. Comprehensively it was a response to the apologetic tone adopted by the previous speaker. This fact can be supported by the fact that, there was no sexual context being referred to by the speaker. Instead, the speaker was only referring to the character of the respondent. However in translating the contextual meaning of the word â€Å"fucking bitches† into Arabic may prove a difficult task for a translator because in conventional English speaking contexts the words would also be used to refer to a sexual context. In Arabic, the same would also be assumed but this is not the case. Also, in the first page of the script, one of the characters says â€Å" I cannot see shit† When the assertion is analyzed at face-value, many people would assume the character referred to â€Å"seeing shit† as an object, but in real sense, he was referring to the fact that, he could not see anything. In the same context, the character says, â€Å"take that shit†. In this context, the character refers to â€Å"shit† as an object (contrary to the previous examples). In the next sentence, the author says â€Å"I am out of here- shit†. From the use of the word â€Å"shit† in previous contexts, we can see that the word has been used to refer to different situations, but in the last example, the word has been used to refer to a situation. This means that, in three consecutive sentences, the word shit has been used as an object and a situation. Translating the same word to suit these contexts is therefore a difficult task. In such contexts, translators find themselves in a difficult position of maintaining the context of the swear words and still maintain a correct characte r representation. One of the strategies suggested to go about the situation is modifying the contextual meaning to correct a wrong contextual meaning (Omar, 2009). This translation is suggested because it is normally assumed that the translator has an ethical role in translation which must be upheld always. However, it is also established that, it is a wrong thing for translators to modify the context of source texts. In other words, translators should remain as faithful to the contextual meaning of the text. In such a case, it is important to understand the dilemma and look for other alternative areas of translation determination such as the availability of an alternative Arabic word which best conveys the meaning and context of the English swear words. If such words exist, it is best to include them in the translation but if they do not, it is also best to omit such words instead of changing their contextual meaning. For example, it would be difficult to translate the word â€Å" motherfucker†, which is used in the sentence, â€Å"just to wake up to pop one in a motherfucker† (found in the third page of the script). In such a scenario, it is best to omit such a word. The same omission can be applied in the sentence â€Å"Motherfucker shot me in the ass† (found in the third page of the script). According to the Western theory of translation, translators should often maintain the context of the source material as much as possible (Chan, 2004, p. 34). The theory also notes that the greater the context or metaphase that exists between English and language, the greater the ratio of metaphases to paraphrase that can be used in the entire context of translation. However, in as much as the theory notes that, translators should maintain the contextual meaning of the source material, the theory also notes that the role of the translators should not only be limited to a mechanical and passive role because the theory notes that, translators are like artists who also have a right to be as creative as they can be (Chan, 2004, p. 34). Nonetheless, it is also important to note that, translation is an unique art because it is not as simple as conventional art. Wiecha (2010) notes that in the art of translation, the translators should emphasize a lot on the frequency of swear words used because he notes that when too many swear words are used, it may be offensive to Arabic audiences and in such a case, he proposes that the translator should reduce the frequency of swear words used or even in some cases, polish these words, or formalize them in a way that captures the source meaning as much as possible. In the third page of the Bad Boys two script, one character says, â€Å"That shit is fucking annoying† and in the next sentence he says, â€Å"Like a fucking gnat at a barbecue†¦.just bugging the fuck out of me†. These sentences represent a series of swear words which can be highly offensive and difficult to translat e in the Arabic culture. It is in this context that translators are advised to reduce the frequency of such swear words. Moreover translators are advised that, when they come across many curse words, they should use their own discretion to reduce these words or alternatively mention that, there are several curse words used by the actors to represent a state of anger (Wiecha, 2010). Nonetheless, the problem noted with such a strategy is diffusing the intrigue of the film because to some people, the swear words used, represent the punch-line of the conversation. However, in the Arabic context, or even in the spirit of professionalism, it is important for the translator to consider the ethical and cultural implications of translation before intrigue. In the second page of the bad boy script, the use of the words â€Å"shit† is used more than two times (in sequence). A sentence later, the word â€Å"motherfucker† is used. This sequence in the use of swears words can someti mes be perceived as too much for Arabic audiences, especially those of the older generation. And when analyzed in the words of Nida (2003), it is important for the translator at this point to omit such words, or not represent their equivalents because of the frequency used. The main motivation for undertaking this approach is to show respect for the target audience’s language and culture. Translating the English swear words into Arabic is also not easy for translators at this point of analysis because Arabic is not consistent in dialect form. This means that, there are many Arabian dialects, accents, registers and styles which can often be confusing for the translator. Due to this reason, it is often recommended that, translators willing to translate words from English into Arabic need to adopt the domestication strategy to ensure they remain relevant to their Arabic audiences (because of their dynamism). Part of the reason the domestication strategy is recommended is because it is often common for translators to change the meaning of the swear words if they use the foreignization strategy (Fang, 2010, p. 35). Also in the domestication strategy, the translator is often invisible to the audience but in the foreignization strategy, the translator is visible to the audience. This is true because translators who adopt the foreignization strategy try to bring the audience to their side while translators who adopt the domestication strategy shift their points of view to the audience. In other words, proponents of the domestication strategy note that, it is important for translators to change the source material into the context of the target language. In the third page of Bad boys two script we see the importance of adopting the domestication strategy because in some instances, the use of curse words are used in the religious context which can be very offending to Arabic audiences. For instance, the words â€Å"spiritual bullshit† is used to refer to a spiritual sense of well being of one character but the speaker is not religious in any manner and therefore he refers to the spiritual reference as â€Å"bull shit†. This reference may be assumed to be derogative to religion but the situation may be worse when analyzed in the Arabic context because such swear words may be assumed to disregard Islam. Also, the assertion â€Å"son of a bitch† (found in the eighth page of the script) would be difficult to translate in Arabic and therefore, a domestication strategy would be appropriate. The same can be said of the statement â€Å"shit! I need backup† (found in the eight page of the script). The adoption of a domestication strategy therefore seems appropriate in such a context because it has been affirmed that in the Arabic context, domestication improves the understandability of the audience (Fang, 2010, p. 35). This fact was affirmed after several studies were done to gauge the use of the foreignization and domest ication strategies when English texts were translated into Arabic. It was affirmed that when foreignization strategy was adopted, the readers experienced a lot of difficulty trying to understand the meaning of the words used, but when the domestication strategy was used, the readers found the texts more understandable. Moreover, instances of misunderstandings were greatly reduced in the domestication strategy as opposed to the foreignization strategy (Fang, 2010, p. 35). However, it should also be noted that translating swear words into English is not only subject to contextual and comprehension problems because lexical and grammatical rule problems also surface as a result (Wahba, 2006, p. 366). In other words, it is often evidenced that, there are several grammatical constructs that are poorly understood when English swear words are translated into Arabic. In other words, when translating English swear words into Arabic, it is often not clear which grammatical rules to use, or whi ch words should be used to describe them. For instance translating the sentence â€Å"some fucking punk thinks he can die in my club† into Arabic poses some grammatical and lexical challenges in the same manner the sentence â€Å"I wonder whose shit they are about to rip now?† (found in the seventh page of the bad boys two script) poses. This fact is evidenced from the fact that, English and Arabic do not share any origins or rule for that matter. In other words, very little technical or scientific learning is normally evidenced in most literature excerpts have a rooting in Arabic. This is also the major reason why there is usually a shortage of equivalent words in Arabic from English translations. In such situations, it is recommended that, translators be extra creative to develop or custom English curse words into Arabic terms (Fang, 2010, p. 35). This is the same strategy noted when translating English technical words into Arabic because transliteration is often use d by researchers to explain Arabic equivalents of English words. However, this is part of the reason why it is very difficult to establish standards used in explaining English swear words into Arabic. The emphasis on translation cannot be overemphasized enough because it is observed that in the Arabic dialect, there are many ways to express a message. This is true because Arabic dialects are highly expressive and therefore determining the locale of the target audience goes a long way in determining the best way to translate words from English to Arabic. Also, it is established that machine translations do not often work in the Arabic context because their meanings may be misunderstood in the various Arabic dialects. For instance if the sentence â€Å" do not understand what the fuck you mean (found in the fourth page of the script) were to be translated in a machine-like way, the meaning would be lost because â€Å"fuck† would imply something sexual but this is not the case. In the same page of the script, the sentence â€Å"†¦that is some cult shit† is also found and translating the same sentence in a machine-like manner would imply the inclusion of human waste into the analysis which is not the case. This situation is further compounded by the fact that, there are very few experts in Arabic language who can give a proper insight into the best way to translate English swear words into Arabic. These dynamics are very important in determining the best way to translate English curse words into Arabic because it is affirmed that having the correct knowledge about a target language goes a long way in enabling translators know the best way to translate English curse words into Arabic. Conclusion Translating English curse words into Arabic is marred by a lot of linguistic grammatical and cultural barriers. The grammatical barriers are evidenced because of the exclusion of Arabic in the formulation of technical, scientific or curse words. This fac t creates a big problem for translators because many fail to find the best equivalent of the English swear words in Arabic. The cultural barriers are especially evidenced because of the strictness and influence of religion in the Arabic dialect. This is the basis why translators have to be very keen on translating curse words into Arabic so that they do not offend the target audience. Comprehensively, this study establishes that, the problems encountered when translating English curse words into Arabic can fall into four broad categories as explained below: Problems Action Contextual Omit and find alternative words Grammatical and lexical Reconstruct sentence Lack of alternative meaning Find closest meaning Comprehension Find closest meaning or omit The linguistic hurdles come from the probability of wrongly understanding the context of the curse words in their Arabic form. Due to these facts, a domestication strategy seems the most appropriate way of going about trans lating English curse words into Arabic. References Auroux, S. (2000). History of the Language Sciences: An International Handbook On  The Evolution of the Study of Language from the Beginnings to the Present, Volume 2. New York: Walter de Gruyter. Baker, M. (1998). Routledge Encyclopedia of Translation Studies. London and New York: Routledge. Brockopp, J. (2003). Islamic Ethics of Life: Abortion, War, and Euthanasia. South Carolina: Univ of South Carolina Press. Chan, T. (2004). Twentieth-Century Chinese Translation Theory: Modes, Issues And  Debates. London: John Benjamins Publishing Company. De L. Z., and Kay, N. (1999). The Semiotics of Subtitling. Manchester: St. Jerome Publishing. Diaz-Cintas, J., and Remael, A. (2007). Media for all: subtitling for the  deaf, audio description, and sign language. Amsterdam: Rodopi. Dà ­az-Cintas, J., and Remael, A. (2009). Audiovisual Translation: Subtitling. Manchester, UK: St. Jerome Pub. Fang, L. (2010). Translation Theories ¡Ã‚ ¡a nd ¡Ã‚ ¡film Translating in China. New York: Academic Press Corporation. Gambier, Y. (1998). Translating for the Media. Papers from the International  Conferences: Languages the Media. November 22, 23.1996. Berlin: University of Turku. Nida, E. A. (1982).The Theory and Practice of Translation. Leiden: E. J. Brill. Nida, E. A., and De Waard, J. (1986). One Language to another: Functional  equivalence in Bible Translating, Nashville: Thomas Nelson. Nida, E. (2003). The Theory and Practice of Translation. New York: Brill. Omar, H. (2009).The Sustainability of the Translation Field. New York: ITNM. Venuti, L. (1995). The Translator’s Invisibility: A History of Translation. London and New York: Routledge. Wahba, K. (2006). Handbook for Arabic Language Teaching Professionals in The 21st  Century. London: Routledge. Wiecha, K. (2010). Swearing and Dialect: On the Example of British English Dialects. New York: GRIN Verlag. This dissertation on Translation Strategies was written and submitted by user Eva Ross to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.